Retro Africa is a contemporary art gallery based in Abuja, Nigeria, that was created in 2015 as a community of art enthusiasts, curators and collectors, headed by founder and creative director Dolly Kola-Balogun.
Retro Africa's curatorial program continues to highlight the depth and breadth of contemporary African art within Nigeria and the international art scene. With an emphasis on exhibitions, international art fairs and intra-gallery curatorial collaborations in cities such as New York, Cape Town, Marrakech, Lagos and London, our ethos is centred on a desire to explore local stories, re- contextualise the African individual in the modern era, retrieve lost communitarian heritage and highlight the ever overlooked African narrative within history and within the afro-futuristic imagination Our aim is to spread awareness and encourage a cycle of growth and learning within African art in our quest to provide a platform for emerging and established contemporary artists.
Retro Africa equally organises public outreach programs, workshops and residencies in collaboration with our partners in the industry, aimed at sensitising the younger generation to the merits of visual arts, their career options and potential global influence.
These established and emerging artists are contributing to the remarkable evolution of the continent’s creative industry. Africa’s contemporary art scene is being paved by an extraordinary list of ingenious creatives whose aesthetic, innovation and intellect has shaped the industry for a future generation. Through visual arts they have been empowered to interpret and portray Africa’s socio-political realities, economic challenges, rich history, traditions and diverse beauty, these leading and emerging artists continue to influence the evolution of contemporary art in Africa.
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The Nigerian art wizard's 2020 exhibit interrogates both the history and politics in Africa.
Williams Chechet is one of the Nigeria’s rising stars, and if his latest exhibition is anything to go by, there are big things ahead for him.
In conversation with Williams Chechet, the artist shares deep insight into his practice and inspirations. Working as a curator in Lagos, I pay keen attention to emerging and established artists who use technology to facilitate new ways of thinking. My first encounter with Chechet’s work was in 2017 at his debut solo exhibition. His upward trajectory is evident as I now speak to him at a point where he has clearly harnessed the power of technology and art.